Sara Waisglass, who stands 1.65 meters tall, is in a position of quiet power. Because of her height, she is neither in the shadows nor at the extremes. It’s a middle ground that provides versatility, which is especially advantageous. She enters the frame next to performers of all shapes and backgrounds, but she never disappears. That harmony says a lot about the role height plays in contemporary casting, particularly in ensemble-driven shows like Ginny & Georgia.
Sara blends in with the show’s visual rhythm while standing next to co-stars Antonia Gentry (1.55 m) and Brianne Howey (1.68 m). Nothing seems contrived or staged. Rather, the ensemble seems purposefully layered, with each performer contributing a unique emotional and spatial energy. Despite her height, Sara’s remarkable groundedness makes her the emotional glue. Her role is supported by her body, not defined by it.
Sara Waisglass Bio and Career Overview
| Attribute | Details |
|---|---|
| Full Name | Sara Waisglass |
| Date of Birth | July 3, 1998 |
| Age | 26 (as of June 2025) |
| Birthplace | Toronto, Ontario, Canada |
| Nationality | Canadian |
| Height | 1.65 meters (5 feet 4¾ inches) |
| Profession | Actress, Screenwriter |
| Education | York University, Degree in Screenwriting |
| Active Since | 2007 |
| Notable Roles | Maxine in Ginny & Georgia, Frankie in Degrassi: Next Class |
| Religion | Jewish |
Sara had been progressively establishing her reputation as an actress by the time she played Maxine Baker. She moved with quiet confidence from the more upbeat beats of Degrassi: Next Class to the subtle emotional undertones of Mary Goes Round. Height may not have been a topic of much discussion among producers during that shift, but it had a practical use. When navigating coming-of-age narratives, tall or extremely petite actors sometimes find it difficult to read as youthful, approachable, and believable in a variety of roles.
Height has long been used as an implicit casting variable in entertainment. Shorter actresses were typecast as the girl next door, while tall women were once limited to supporting or villain roles. Sara handles both terrains with ease, coming in close to the statistical average. She has been able to develop not only in character arcs but also in other genres thanks to this sweet spot.
Sara’s four formative years at York University shaped her screenwriting background, which gives her performances an additional depth of resonance. She is able to interpret dialogue with a rare clarity because she understands the script from the viewpoint of the writer. She has a distinct advantage because of her academic background, which enables her to subtly convey emotion even in humorous situations. In a time when layered storytelling is celebrated, that level of accuracy combined with her physical presence is especially inventive.
Ginny & Georgia became an unexpected cultural touchstone during its quick ascent to Netflix fame. The characters felt incredibly real, not just the gripping pacing or the plot-heavy prose. The way Sara portrayed Maxine was crucial. Framed against her co-stars, her energy made her presence very noticeable without being overpowering. Her acting has an intimacy that draws attention to herself rather than demanding it.
The way that this visibility has been passed down through the generations is particularly telling. Parents who used to watch Degrassi now watch Ginny & Georgia with their children. They respect Sara’s development and acknowledge her journey. Teenage fans find her aspirational, not only because of her career but also because of the way she embraces her identity, including her physicality.
Her trajectory is also being amplified by changes in the industry. Naturalism is now valued more widely, and casting has progressed beyond surface metrics. Instead of tall models of impossible ideals, audiences want actors who represent what they see in real life. Sara’s height, which by previous standards was notably unremarkable, now works to her advantage. It presents her as approachable, genuine, and emotionally open—qualities that producers actively look for.
Height differences in on-screen couples have significantly decreased in recent years. It is less common for producers to manipulate scenes or change camera angles to make the woman appear shorter. Because of her height, Sara’s roles have not been downplayed or overstated. Her characters are multifaceted, flawed, and remarkably human; they just exist. There is more social significance to this change. It serves as a reminder to young women who are watching that power, love, and visibility are not impeded by one’s height.
Sara has developed a resume that feels remarkably adaptable through calculated career moves. Her performances are consistently effective and unforgettable, whether they shift into fast-paced comedy or poignant drama. Her height is part of a symmetry in the story that seems both intentional and accidental. Although it’s present, it never gets in the way.
This is a good case study for industry watchers. In the past, height has been used as a short cut to convey authority or subordination. However, such short cuts are out of date in programs like Ginny & Georgia, where emotional dynamics are dynamic and ever-changing. Rather, Waisglass and other actors present a novel metric: narrative depth. They use complexity rather than size to create arcs.
Despite being within a physical average due to her height, she stood out for her emotional intelligence and timing of expression. She frequently attributes her grounded perspective in interviews to her upbringing, her family’s unwavering support, and her educational background. She brings that energy to set, encouraging unity amongst cast members, having grown up in Toronto and influenced by the community. She improves everyone around her and is remarkably effective in ensemble scenes.
With Ginny & Georgia continuing into a highly anticipated third season, Sara Waisglass is probably going to transition from ensemble work to leading roles in the upcoming years. She is trusted by audiences. More significantly, they identify with her. Being inches above the norm is not necessary for that connection; instead, emotional resonance, consistency, and authenticity are needed.
