Character Profile: Dina & Ellie – The Last of Us Part II
Character | Details |
Dina | Former Jackson patrolwoman; farmer; JJ’s mother; resilient and protective |
Age | Estimated 20–23 during the game timeline |
Portrayed by | Shannon Woodward (voice and motion capture) |
Relationship | Ex-girlfriend to Ellie; Ex-partner to Jesse |
Notable Traits | Emotionally grounded, strong-willed, nurturing |
Origin | New Mexico-born, later resident of Jackson, Wyoming |
Child | JJ, Jesse’s biological son |
Character | Details |
Ellie Williams | Protagonist; survivor; immune to Cordyceps fungus |
Age | 19 during The Last of Us Part II |
Portrayed by | Ashley Johnson (voice); Bella Ramsey (HBO series) |
Relationship | Former girlfriend of Dina; raised JJ briefly |
Notable Traits | Fiercely independent, emotionally scarred, driven by loyalty |
Family | Mother: Anna (deceased); Guardian: Joel Miller |
The romance between Dina and Ellie in The Last of Us Part II provided a delicate counterpoint to the film’s intensely violent plot. Their love developed gradually, based on shared trauma and brief moments of happiness, rather than with fireworks. Players were given the opportunity to briefly envision healing.
However, things felt very different after Ellie returned from Santa Barbara. The house where they used to live, subtly decorated with pictures and baby toys, was deserted. Ellie was left feeling the pain of being without Dina and JJ. There had been nothing explosive, but the silence was defining.
Dina continuously embodied emotional clarity throughout the story. She drew lines out of necessity rather than coldness. Dina said, “We’ve got a family,” without protesting when Ellie put her desire for vengeance ahead of her family. She isn’t entitled to greater significance than that. Walking away may be the single most loving act left when love becomes one-sided. That line, which was delivered with a gentle finality, encapsulated a reality that many relationships encounter.
Dina has already made her decision by the time Ellie returns, grieving and missing fingers. The warmth is gone, but the house is still there. Her departure was interpreted by some fans as a breakup. For others, it was a pause, an agonizing pause that left the door ajar just a little.
Interestingly, in the last scene, Ellie is still wearing Dina’s bracelet. That seemingly insignificant detail has generated a lot of conversation. Could it be a sign of hope? Was it a guilt symbol? Or was it just Dina Ellie’s last remnant that she couldn’t let go?
One thing is clear from fan essays and Reddit threads: this relationship was important. It was permitted to exist with flaws, not because it ended flawlessly. Ellie and Dina’s story felt incredibly real to queer players in particular—not idealized or tokenized in order but tender, unvarnished, and incredibly relatable.
When considering the gaming industry as a whole, queer relationships have frequently been associated with tragedy. Similar arcs recur in Euphoria’s Rue and Jules and Buffy’s Willow and Tara: intimacy ignited, then shattered under emotional stress. This pattern also applies to Ellie and Dina’s relationship, with one significant exception. Their narrative was not motivated by spectacle or treachery. It gradually and painfully faded as loss and life tore them apart.
Their breakup—if we can call it that—has become a symbol through fan interpretations in the modern era. It represents tenacity, heartache, and the desire to cling to something that has already been lost. She didn’t slam the door, as one admirer so beautifully put it. She simply walked away with it open.
There is hope that this unresolved thread will be revisited in future seasons of HBO’s The Last of Us. There is potential for atonement, reconciliation, or just plain comprehension. How Ellie and Dina’s journey is remembered is more important than whether they end up together.
Their legacy has already established itself as a standard for genuine queer narrative in video games. It struck a chord; it did more than amuse. It created room for more diverse, emotionally complex characters and relationships to flourish—characters who are there to make an impact rather than merely tick a box.